Portland Community College | Portland, Oregon

Attendance of a live theatre performance will be required. We will read scripts for analysis of a physical approach to scene work. We may also analyze film performances for use of physical transformation, choreography, and ensemble work. This class can be physically demanding. There are no prerequisites for this course.

The student will:

• integrate physical skills and awareness into future performance work
• use movement exercises to structure a theatre warm-up for self and a group
• develop artistic intuition and identity through disciplined work with original ideas
• audition with confidence for movement-oriented performances

Assessment shall include:

1. Completion of weekly homework assignments which address specific movement-oriented tasks
2. In-class physical training to acceptable level of competence
3. In-class analysis of others' work, given certain criteria for consideration
4. A midterm portfolio examination
5. A final performance project
6. Frequent tests of ensemble skills through improvisation, exercises, and feedback sessions

Themes, Concepts, and Issues

• Nonverbal communication as a primary human interaction
• Expansion of movement range as a stimulus for creative thinking
• Repetition and precision in choreography as a goad to artistic integrity
• Value of limiting the actor's instrument through mask and mime
• Ensemble work (awareness and sensitivity to others) as a foundation for theatrical presentation
• Å·ÖÞ±­¾öÈü¾º²Âapp_Å·ÖÞ±­×ãÇòÍø-Ͷע|¹ÙÍøment of original ideas as the basis for theatrical exchange

COMPETENCIES/SKILLS:

• Apply understanding of staging and choreography to original assignments
• Identify the use of successful staging and choreography in the work of others in the class, in film performances, and in live theatre performances through class discussion and through written work
• Perform specific movement theatre techniques - mask, mime
• Demonstrate an understanding of how to use music as a partner in scene work through choreography
• Create written "scores" of physical scene work
• Demonstrate results of ongoing outside-of-class rehearsal of original work
• Demonstrate an understanding of how to enlarge physical range through the practice of various techniques - falls, lifts, mime, upside-down, and partnered movement
• Articulate verbally and in written form analysis of plays from a movement theatre perspective
• Å·ÖÞ±­¾öÈü¾º²Âapp_Å·ÖÞ±­×ãÇòÍø-Ͷע|¹ÙÍø original ideas as the basis for theatrical exchange