CCOG for MUS 221E Winter 2025
- Course Number:
- MUS 221E
- Course Title:
- Chamber Chorus
- Credit Hours:
- 1
- Lecture Hours:
- 0
- Lecture/Lab Hours:
- 0
- Lab Hours:
- 30
Course Description
Provides the opportunity to sing in a small vocal ensemble. Includes directed rehearsal and performance. Includes possible local, regional and/or other off-campus public performances. Audition required. Prerequisites: MUS 221D. Audit available.
Intended Outcomes for the course
Upon successful completion, students should be able to:
- Use an advanced intermediate understanding of musicianship and performance etiquette to perform advanced/intermediate-level repertory to a public audience as a member of a small vocal ensemble.
- Use an understanding of music literacy to prepare and rehearse advanced/intermediate repertory as a member of a small vocal ensemble.
- Use an advanced/intermediate understanding of the stylistic differences in advanced/intermediate repertory to learn, rehearse and accurately interpret vocal music in performance.
Course Activities and Design
- Learn and rehearse choral part both aurally and through printed music notation.
- Follow musical directions of chorus director during rehearsal and make appropriate notation in music score.
- Sectional and group rehearsal.
- Public performance as chamber chorus and/or small ensembles (duos, trios etc.).
Outcome Assessment Strategies
- Attendance
- Recital/performance participation
- Concert reports
- Class participation
- Score annotation
- Part singing tests
Course Content (Themes, Concepts, Issues and Skills)
- Vocal Genres:
- Performance Concepts and Practicum
- Historical styles:
- Renaissance, Baroque, Classical, Romantic, Modern, Multicultural and non-Western works
- A cappella and/or accompanied performance
- Secular and Sacred works (cantatas,madrigals, motets etc.)
- Performance practice and etiquette
- Renaissance, Baroque, Classical, Romantic, Modern, Multicultural and non-Western works
- Tools
- IPA for specific foreign language works (diction)
- Musicianship & notation
- Dynamics, phrasing, articulation
- Conducting patterns