Art Galleries

From left: Neighborhood Watch, 2016, twelve adjustable signs, High Intensity Prismatic Reflective Film, galvanized posts, concrete, buckets and pallete, detail; Busted Eye, Last See In…, and Whereabouts Unknown from Person of Interest, 2016-1018, archival inkjet prints 24″ x 20″ each

This media file is attached to: Kerry Skarbakka

Installation view of the corner of a gallery, with a white wall on the left and a glass wall looking outside on the right. On the wall are three framed photographic portraits of men, each showing only the head and shoulders, and with the man looking straight at the viewer. In the corner, to the left is a sign on a metal post, the sign depicting a man pointing a large handgun at the viewer.

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Installation view of a corner a gallery; the walls are black and meet at the center of the image. On the left is a video monitor with an image of a man with a clean shaven head who is shaving his chin with an electric razor. On the left wall is a photo of a black board with the words "Katie May Everett Daniel the only good I ever did" written on it in white block letters.

From left: All In, 2019, video; The Only Good I Ever Did, 2018, archival pigment print, 45″ x 30″

A gallery wall installation of three vertical color photographs, one large scale at the center and two smaller same sized ones to the left and right of it. The left photo shows a crying baby on a hospital table with two pairs of adult hands touching it. One pair of hands is wearing green hospital gloves. The center photo is of a naked man standing and looking at the viewer, each of his arms are held straight at his sides and he has a gun in each hand. The right photo is of a man sitting in a boat, with his back towards the viewer; in the background is a lake and sky

From left: Vaccines, 2016, archival pigment print, 30″ x 20″; Castle Doctrine (aka Stand Your Ground Law), 2016, archival pigment print, 80″ x 40″; Pedigree, 2016, archival pigment print, 30″ x 20″